Photography by Matthew Millman
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A limestone front door surround was built.
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In the living room, Joan Mitchell’s Swamp, 1956, dominates a wall.
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A 19th-century low table is flanked by Marino-designed gilt-leg sofas and a pair of 19th-century bow-back Russian armchairs. An untitled 1997 piece by Julian Lethbridge is over the fireplace. The lacquered box and urns are from Christie’s.
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Off the west end of the house is the copper-roofed breakfast room, or conservatory, with an adjacent terrace for entertaining.
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An extensive overhaul was necessary for the interiors. “Pretty much everything is new, even the mantels,” Marino says. A suite of circa 1900 Russian chairs and a circa 1830 Russian chandelier are in the dining room. Matisse’s Femme au Costume Décoré, Theme 1, Variation 3, 1942, hangs near the French doors.
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For the subdued master bedroom, Marino chose to custom-make an intricately carved Swedish-style bed and an upholstered headboard. Atop a painted late-18th-century Swedish side table is an 18th-century glazed porcelain vase that was refitted as a table lamp.
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A series of 19th-century botanical studies by M. Guyot are displayed in the guest room. Above the desk is a late-18th-century watercolor, Sous-Bois, by Franz Kaisermann. The toile chair, wallcovering and drapery fabric was designed by Marino’s company.
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Marino imbued the master bedroom with soft, calming hues. Femmes Blouse Fleuri, 1950, by Matisse is in the room; in the hall beyond hangs Personnages dans un Escalier, 1913, by Fernand Léger.
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Chippendale- style chairs, a Diego Giacometti low table and a lamp converted from a Han Dynasty wine vessel fill the loggia.
All images and information from Architectural Digest.
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