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The living room’s bleached-oak boiserie is 18th-century French, and the door hardware is by P. E. Guerin; the screen is also French, while the chair at left, covered in an Old World Weavers tapestry fabric, is 17th-century Sicilian.
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In the library, a Dutch painting is displayed above a Louis XVI daybed covered in fabric Apfel reproduced from a 17th-century French document.
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An Italian tole chandelier above a Maison Jansen table draped in a woven paisley throw.
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The first painting Apfel ever bought—a portrait of the Infanta Margarita she picked up 60 years ago at an antiques shop in Florence.
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Bakelite jewelry in the paws of a hand-carved French mountain dog.
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The entry contains an 18th-century French screen (left), an early-18th-century painted Genoese corner cabinet, and Louis XVI–style chairs upholstered in an Old World Weavers cut velvet. The needlepoint carpet is English.
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“I was one of the first New York women to wear boots,” says Apfel, who designed the gilt-leather-and-fabric pair on the floor at right. Racks of her vintage pieces fill a spare room; she is especially fond of the metallic-check coat by Galanos.
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A hallway is lined with dog paintings and 19th-century English bookcases brimming with volumes on fashion, decorative arts, and Chinese costumes and textiles. All images and information from Architectural Digest.
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